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John Adams: Phrygian Gates

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Performed live at Kanagawa Kenmin Hall.
Yokohama, Japan.
Oct. 17, 2015

Chinary Ung: Seven Mirrors

National Gallery of Art. March 15, 2015
American Music Festival

Ligeti Piano Concerto, first mvt.

Performed live on 9/9/2009 with the Slee Sinfonietta, James Baker, conductor.
Slee Hall, University at Buffalo

Messiaen - Oiseaux Exotiques - Robertson, Huebner, part 1

Messiaen's Oiseaux Exotiques performed live at Alice Tully Hall (NYC) by The Juilliard Orchestra, David Robertson conductor, Eric Huebner piano on April 30,2007.

Messiaen - Oiseaux Exotiques - Robertson, Huebner, part 2

Messiaen's Oiseaux Exotiques performed live at Alice Tully Hall (NYC) by The Juilliard Orchestra, David Robertson conductor, Eric Huebner piano on April 30,2007.

Olivier Messiaen: Regard de l'Esprit de Joie

Live performance. Libby Bowl, Ojai Festival, June 2010.

George Tsontakis: Ghost Variations, first mvt.

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Performed live November 10, 2009. Herbert Zipper Hall, Colburn School, Los Angeles, CA.

Peter Lieberson: Tashi Quartet

Published on Sep 1, 2013

Antares
from Antares plays works by Peter Lieberson and Roger Reynolds
http://www.newfocusrecordings.com/cat...
Works by Peter Lieberson and Roger Reynolds
Cover Art by Sean Kernan

Shadowed Narrative recorded 5/06 at University of California at San Diego, and Tashi Quartet recorded 5/2009 at Sear Sound Studios, New York.
Shadowed Narrative
Engineer: Joe Kucera
Producer: Roger Reynolds
Tashi Quartet
Engineer: Paul Zinman
Producer: Ryan Streber
Edited, and Mastered by Ryan Streber
Editing Production: Ryan Streber, Daniel Lippel (Lieberson Mvt. II, IV)
Design by Anita Soos
Photos by Sean Kernan and Lisa-Marie Mazzucco
Personnel: Garrick Zoeter- Clarinet; Jesse Mills- violin ; Rebecca Patterson- cello; Eric Huebner- piano; Vesselin Gellev- violin (Reynolds)

Antares, an ensemble formed to perform Messiaen's Quartet for the End of Time, releases this recording of two major works written for one of the group's predecessors, the Tashi Quartet, by Peter Lieberson and Roger Reynolds. Both works represent a degree of experimentation for each composer, with Lieberson adopting a Stravinsky-inspired approach to twelve-tone harmony, and Reynolds using Gabriel Garcia Marquez prose as a new model for structuring the syntax of phrasing and how the instruments in the ensemble interact.

Roger Reynolds: Variation

From 2009 Mode Records release Epigram and Evolution: Complete Piano Works

Ryan Streber: Closing Time

Published on Feb 8, 2015

Closing Time

Flexible Music Ensemble

℗ 2011 New Focus Recordings

Released on: 2011-11-23

Ensemble: Flexible Music Ensemble
Composer: Ryan Streber